MILK
12:54:00 AM
Milk is a 2008 American biographical film on the life of gay rights activist and politician Harvey Milk, who was the first openly gay man to be elected to public office in California, as a member of the San Francisco Board of Supervisors. Directed by Gus Van Sant and written by Dustin Lance Black, the film stars Sean Penn as Milk and Josh Brolin as Dan White, another city supervisor who was Milk's assassin. The film was released to much acclaim and earned numerous accolades from film critics and guilds. Ultimately, it received eight Academy Award nominations, including Best Picture, winning two for Best Actor in a Leading Role for Penn and Best Original Screenplay for Black.
Attempts to put Milk's life to film followed a 1984 Oscar-winning documentary of his life and the aftermath of his assassination, titled The Times of Harvey Milk, which was loosely based upon Randy Shilts's biography, The Mayor of Castro Street. Various scripts were considered in the early 1990s, but projects fell through for different reasons, until 2007. Much of Milk was filmed on Castro Street and other locations in San Francisco, including Milk's former storefront, Castro Camera.
Milk begins on Harvey Milk's 40th birthday (in 1970), when he was living in New York City and had not yet settled in San Francisco. It chronicles his foray into city politics, and the various battles he waged in the Castro neighborhood as well as throughout the city, and political campaigns to limit the rights of gay people in 1977 and 1978 run by Anita Bryant and John Briggs. His romantic and political relationships are also addressed, as is his tenuous affiliation with troubled Supervisor Dan White; the film ends with White's double murder of Milk and Mayor George Moscone. The film's release was tied to the 2008 California voter referendum on gay marriage, Proposition 8, when it made its premiere at the Castro Theatre two weeks before election day.
The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official. Milk opens with archival footage of police raiding gay bars and arresting patrons during the 1950s and 1960s, followed by Dianne Feinstein's November 27, 1978, announcement to the press that Milk and Moscone have been assassinated. Milk is seen recording his will throughout the film, nine days (November 18, 1978) before the assassinations. The film then flashes back to New York City in 1970, the eve of Milk's 40th birthday and his first meeting with his much younger lover, Scott Smith.
Unsatisfied with his life and in need of a change, Milk and Smith decide to move to San Francisco in the hope of finding larger acceptance of their relationship. They open Castro Camera in the heart of Eureka Valley, a working class neighborhood in the process of evolving into a predominantly gay neighborhood known as The Castro. Frustrated by the opposition they encounter in the once Irish-Catholic neighborhood, Milk utilizes his background as a businessman to become a gay activist, eventually becoming a mentor for Cleve Jones. Early on, Smith serves as Milk's campaign manager, but his frustration grows with Milk's devotion to politics, and he leaves him. Milk later meets Jack Lira, a sweet-natured but unbalanced young man. As with Smith, Lira cannot tolerate Milk's devotion to political activism, and eventually hangs himself. Milk clashes with the local gay "establishment" which he feels to be too cautious and risk-averse.
After two unsuccessful political campaigns in 1973 and 1975 to become a city supervisor and a third in 1976 for the California State Assembly, Milk finally wins a seat on the San Francisco Board of Supervisors in 1977 for District 5. His victory makes him the first openly gay man to be voted into major public office in California and in the top three in the entire US. Milk subsequently meets fellow Supervisor Dan White, a Vietnam veteran and former police officer and firefighter. White, who is politically and socially conservative, has a difficult relationship with Milk, and develops a growing resentment for Milk when he opposes projects that White proposes.
Milk and White forge a complex working relationship. Milk is invited to, and attends, the christening of White's first child, and White asks for Milk's assistance in preventing a psychiatric hospital from opening in White's district, possibly in exchange for White's support of Milk's citywide gay rights ordinance. When Milk fails to support White because of the negative effect it will have on troubled youth, White feels betrayed, and ultimately becomes the sole vote against the gay rights ordinance. Milk also launches an effort to defeat Proposition 6, an initiative on the California state ballot in November 1978. Sponsored by John Briggs, a conservative state legislator from Orange County, Proposition 6 seeks to ban gays and lesbians (in addition to anyone who supports them) from working in California's public schools. It is also part of a nationwide conservative movement that starts with the successful campaign headed by Anita Bryant and her organization Save Our Children in Dade County, Florida to repeal a local gay rights ordinance.
On November 7, 1978, after working tirelessly against Proposition 6, Milk and his supporters rejoice in the wake of its defeat. The increasingly unstable White favors a supervisor pay raise, but does not get much support, and shortly after supporting the proposition, resigns from the Board. He later changes his mind and asks to be reinstated. Mayor Moscone denies his request, after being lobbied by Milk.
On the morning of November 27, 1978, White enters City Hall through a basement window to conceal a gun from metal detectors. He requests another meeting with Moscone, who rebuffs his request for appointment to his former seat. Enraged, White shoots Moscone in his office and then goes to meet Milk, where he guns him down, with the fatal bullet delivered execution style. The film suggests that Milk believed that White might be a closeted gay man.
The last scene is a candlelight vigil held by thousands for Milk and Moscone throughout the streets of the city. Pictures of the actual people depicted in the film, and brief summaries of their lives follow. This includes a note that Dan White's lawyers used the infamous Twinkie defense to get White's conviction reduced to voluntary manslaughter, a conviction which explains the White Night Riots in the post script.
Attempts to put Milk's life to film followed a 1984 Oscar-winning documentary of his life and the aftermath of his assassination, titled The Times of Harvey Milk, which was loosely based upon Randy Shilts's biography, The Mayor of Castro Street. Various scripts were considered in the early 1990s, but projects fell through for different reasons, until 2007. Much of Milk was filmed on Castro Street and other locations in San Francisco, including Milk's former storefront, Castro Camera.
Milk begins on Harvey Milk's 40th birthday (in 1970), when he was living in New York City and had not yet settled in San Francisco. It chronicles his foray into city politics, and the various battles he waged in the Castro neighborhood as well as throughout the city, and political campaigns to limit the rights of gay people in 1977 and 1978 run by Anita Bryant and John Briggs. His romantic and political relationships are also addressed, as is his tenuous affiliation with troubled Supervisor Dan White; the film ends with White's double murder of Milk and Mayor George Moscone. The film's release was tied to the 2008 California voter referendum on gay marriage, Proposition 8, when it made its premiere at the Castro Theatre two weeks before election day.
The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official. Milk opens with archival footage of police raiding gay bars and arresting patrons during the 1950s and 1960s, followed by Dianne Feinstein's November 27, 1978, announcement to the press that Milk and Moscone have been assassinated. Milk is seen recording his will throughout the film, nine days (November 18, 1978) before the assassinations. The film then flashes back to New York City in 1970, the eve of Milk's 40th birthday and his first meeting with his much younger lover, Scott Smith.
Unsatisfied with his life and in need of a change, Milk and Smith decide to move to San Francisco in the hope of finding larger acceptance of their relationship. They open Castro Camera in the heart of Eureka Valley, a working class neighborhood in the process of evolving into a predominantly gay neighborhood known as The Castro. Frustrated by the opposition they encounter in the once Irish-Catholic neighborhood, Milk utilizes his background as a businessman to become a gay activist, eventually becoming a mentor for Cleve Jones. Early on, Smith serves as Milk's campaign manager, but his frustration grows with Milk's devotion to politics, and he leaves him. Milk later meets Jack Lira, a sweet-natured but unbalanced young man. As with Smith, Lira cannot tolerate Milk's devotion to political activism, and eventually hangs himself. Milk clashes with the local gay "establishment" which he feels to be too cautious and risk-averse.
After two unsuccessful political campaigns in 1973 and 1975 to become a city supervisor and a third in 1976 for the California State Assembly, Milk finally wins a seat on the San Francisco Board of Supervisors in 1977 for District 5. His victory makes him the first openly gay man to be voted into major public office in California and in the top three in the entire US. Milk subsequently meets fellow Supervisor Dan White, a Vietnam veteran and former police officer and firefighter. White, who is politically and socially conservative, has a difficult relationship with Milk, and develops a growing resentment for Milk when he opposes projects that White proposes.
Milk and White forge a complex working relationship. Milk is invited to, and attends, the christening of White's first child, and White asks for Milk's assistance in preventing a psychiatric hospital from opening in White's district, possibly in exchange for White's support of Milk's citywide gay rights ordinance. When Milk fails to support White because of the negative effect it will have on troubled youth, White feels betrayed, and ultimately becomes the sole vote against the gay rights ordinance. Milk also launches an effort to defeat Proposition 6, an initiative on the California state ballot in November 1978. Sponsored by John Briggs, a conservative state legislator from Orange County, Proposition 6 seeks to ban gays and lesbians (in addition to anyone who supports them) from working in California's public schools. It is also part of a nationwide conservative movement that starts with the successful campaign headed by Anita Bryant and her organization Save Our Children in Dade County, Florida to repeal a local gay rights ordinance.
On November 7, 1978, after working tirelessly against Proposition 6, Milk and his supporters rejoice in the wake of its defeat. The increasingly unstable White favors a supervisor pay raise, but does not get much support, and shortly after supporting the proposition, resigns from the Board. He later changes his mind and asks to be reinstated. Mayor Moscone denies his request, after being lobbied by Milk.
On the morning of November 27, 1978, White enters City Hall through a basement window to conceal a gun from metal detectors. He requests another meeting with Moscone, who rebuffs his request for appointment to his former seat. Enraged, White shoots Moscone in his office and then goes to meet Milk, where he guns him down, with the fatal bullet delivered execution style. The film suggests that Milk believed that White might be a closeted gay man.
The last scene is a candlelight vigil held by thousands for Milk and Moscone throughout the streets of the city. Pictures of the actual people depicted in the film, and brief summaries of their lives follow. This includes a note that Dan White's lawyers used the infamous Twinkie defense to get White's conviction reduced to voluntary manslaughter, a conviction which explains the White Night Riots in the post script.
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